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“I think we all appreciate different types of inspirations and can be a band that performs songs that we like to play- what we like to hear rather than sticking ourselves in a box so to speak.” – Adam Schini
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“There’s so many people who are talented out there, so many people writing songs and so many people doing this thing that never get heard until they are dead if they’re lucky,” Knox said. “I’ve been very, very fortunate.”
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“When you kind of find your people it’s really special,” Taylor said about the nature of co-writing that fills the album. “Even John Prine co-wrote songs with Pat McLaughlin, one of his best friends.”
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“I finally just sold my work truck for a sprinter van, so I’m in it now,” Thomas joked. “I don’t have a job anymore or a personal vehicle… full plunge into this music career, this path I’m on.”
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The group is fronted by Juan Carlos Reynoso on bajo sexto and Charles De Castro on accordion, and features Patrick Morrison on tololoche.
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“I knew long ago this is a long game, and I just was told at a young age that ‘if you’re going to do this, you really need to write and record music that you actually want to listen to,’ and I took that seriously,” Lewis said. “I still feel like I’m a developing artist…
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“The album got me sober,” Henry said. “It kind of became a concept album about grief. A lot of the songs are like a conversation between the two of us.”
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“This is the work of me staying up all night and going insane and losing sleep,” Filler said,” but there’s no price for good art. It’s a sacrifice.”
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“My musical tastes really started to shift away from what I was being presented culturally as a teenager into stuff that resonated more deeply,” Stone said.
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“That’s really the best part of this kind of music is it’s such a community thing,” Faulkner said. “Anybody can sit down and jump in and even just sing along.”
Song of the Day
1–2 minutes
Quality Americana 