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“It’s important for me to make sure my music is rooted in that whole longer journey and not just wrapped up in my own experience,” Payne said. “I want to connect through time back.”
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“These days I’ve been writing a lot about home life,” Ellsworth said. “What the world looks like on a big picture when you’re at home looking into your kid’s eyes trying to figure out what it’s going to be like for them.”
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“There’s moments in that where I’m still really touching about my life the whole time, it’s just dropped in poetically and just scripted enough to where you probably wouldn’t know how much of it actually is me unless we had this conversation.”
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“I realized it was very easy for me to sit down and write a country song because that seemed to be a great vehicle,” Devereaux said. “My songwriter voice seems to be stripping to very essential elements.”
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“I like classic phrases like that for titles,” Marshall said. “I just like little slice of life momentary themes.”
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“In essence I was trying to make it a field recording like the old folk recordings and blues recordings,” Scott said, “like you just captured somebody doing something on their front porch or in a jail cell, or in this case an abandoned, derelict country-catholic church from a hundred years ago.”
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“We’ve been so lucky we don’t need to perform all the time, we don’t have to make it our bread and butter, so we get to really focus on getting out into that music community.”
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“By the time we got in to record them I was just ready to throw down on ‘em,” Kamel said. “It was pretty easy in that regard because I’ve surrounded myself with some really good musicians.”
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“The work that we’re doing is meaningful on a whole bunch of levels,” Flynn said. “It’s just a real joyful experience to play music with these women.”
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“I’ve gotten to kind of be a little brother around a lot of really talented people.”
Song of the Day
1–2 minutes
Quality Americana 