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“I like classic phrases like that for titles,” Marshall said. “I just like little slice of life momentary themes.”
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“In essence I was trying to make it a field recording like the old folk recordings and blues recordings,” Scott said, “like you just captured somebody doing something on their front porch or in a jail cell, or in this case an abandoned, derelict country-catholic church from a hundred years ago.”
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“We’ve been so lucky we don’t need to perform all the time, we don’t have to make it our bread and butter, so we get to really focus on getting out into that music community.”
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“By the time we got in to record them I was just ready to throw down on ‘em,” Kamel said. “It was pretty easy in that regard because I’ve surrounded myself with some really good musicians.”
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“The work that we’re doing is meaningful on a whole bunch of levels,” Flynn said. “It’s just a real joyful experience to play music with these women.”
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“I’ve gotten to kind of be a little brother around a lot of really talented people.”
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“The west coast is beautiful,” Sun said. “I feel very connected to the land. That’s a big inspiration for me.”
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“It was a hard one to write. It was kind of like trying to be somewhere in between a happy and a sad song.”
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“This is almost like a bird trying to open its wings for the first time,” Ray said. “I’m just trying to fly a little bit.”
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“Probably during covid was kind of when I’d been able to get most productivity done,” Allen said, “because you know everything was in lockdown and I needed to get creative.”
Song of the Day
1–2 minutes
Quality Americana 